Showing posts with label gardens. Show all posts
Showing posts with label gardens. Show all posts

Saturday, June 13, 2009

The Old Man

The old man disappeared a few months back. His ancient Lincoln Continental, with its glossy finish gone flat and peeling from years in the sun, was always parked in the driveway. Every day, as I passed by on my early morning walk, I picked up his newspaper and put it on the trunk of the car so he wouldn't have to bend down so far.

The old man's yard was unique to him. Two beautiful cherry trees heralded each spring's return, their lowest branches adorned with hanging baskets full of faded plastic blossoms. A garden of pinwheels stood at the foot of one. He had a sense of whimsy.

The old man disappeared a few months back. The Lincoln is gone--a neighbor parks his car in the empty driveway now. The garden is overgrown, but the pinwheels, hidden in the knee high grass, remind me that the old man had once been there and I smile.

Wednesday, June 3, 2009

Mired In Tradition

Last Sunday, in Bucks County, PA, I went on my second Open Days garden crawl of the season. These visits recharge my creative juices and offer me a first hand opportunity to see what other landscape designers and talented amateurs have created. I look carefully, take photographs and experience the gardens in three dimensions. Being in a garden is so much different than looking at pictures of one especially for a designer as interested in creating spatial relationships as I am.

What I already knew, and what three of the gardens I visited confirmed, is that on the east coast, those with the means to build a landscape of substance opt to emulate traditional English gardens. The old stone houses and barns that give Buck's County its lure form the backdrop for the gardens. Although one garden had a beautifully enhanced woodland, there was not one meadow in the acres and acres of mixed borders and mowed turfgrass that I saw. Planting styles differed within these gardens but the traditional garden design paradigm did not.


A rustic twig bridge in the woodland at Hortulus Farm Garden & Nursery

There were some beautiful vignettes and ideas within these classic schemes. One, at Willow Farm, had a grey/blue and burgundy palette juxtaposed with honey hued native stone that I particularly liked.

Blue/grey and burgundy plants with native honey colored stone

Another, at Hortulus, had a bold yellow planting scheme punctuated by a large terra cotta urn that was dramatic and interesting.


Yellow and terra cotta in combination at Hortulus

A third really great idea was again, at Hortulus. The formal fountain at the far end of a double mixed border was actually a swimming pool. It read as a fountain until you noticed the steps. This idea could be adapted for many different situations both grand and intimate.


The swimming pool fountain

This contrast between classic and contemporary design was magnified by the last stop of the day, an interior designer's shop in Lambertville, NJ, Reinboth & Company. I try to check this small shop out each time I'm in the area since it is really well edited. The garden accessories in their courtyard were clean, crisp and modern. It seemed restful and welcome after a day of observing such traditional points of view.

Contemporary garden accessories at Reinboth & Co.

Monday, May 25, 2009

Talking to Myself

I have in some way and in fits and starts kept a journal for years. There have been times when just the act of chronicling what ever was happening in my life has helped me sort it out. As a teenager they consisted of pages and pages of laments, descriptions of parental and personal drama, social slights and ad hoc adventures.

After graduating from art school I starting making illustrated journals in black bound sketchbooks and for years I kept them safely in a box to be looked at now and then. Ten years ago, all but one of these sketchbook journals were destroyed in a basement flood.

Studies for a series of landscape inspired brooches circa 1977

What wasn't destroyed were the two new types of journals I had been keeping. In dated composition books I kept a series of garden journals. My garden composition books were often carried with me to the nursery, library or bookstore. My first designed garden is in one. Although I have an extensive design education and years of experience, I am a self taught gardener. My garden journals contained sketches, ideas, bloom times, receipts, plant labels all types of information that I wanted to remember.

A page of one of my garden composition notebooks

In small sketchbooks I kept travel journals. Since I have always had to travel on the cheap, these journals became souvenirs of my adventures. I recorded descriptions of places and made collages of tickets, postcards and sketches. Ephemera was collected and the notebooks were created on the go. They were a record of where I had been in the world larger than my own backyard.

From a trip to London in 2001

In both of these new journals there were also tidbits of the old journals--personal notes and the occasional lament.

When I first started writing Miss R, I didn't realize that it would evolve into a new type of journal. The first year was stop and go, and I didn’t really pay much attention to the content or frequency. Now I realize that the content is really an extension of my years of writing about my life. No, I don't often write about personal drama, but I do definitely write about the way I feel about what I do. I also write about places I've been and plants I've seen and post drawings, designs and other tidbits of my creative life.

A recent page from my current notebook

I still carry a notebook with me to jot down ideas, plant names, or make a quick sketch of something--although digital pictures have replaced some of my sketches. I realize that recording my ideas and experiences has been part of my life long creative process.

Saturday, May 23, 2009

Field Trip--Upper Montclair

I have a soft spot for bearded Iris. I use them often in the gardens I design. They are reliably deer resistant and I like their sculptural blooms and their grey green spiky foliage.

Each May, when I was a teenager, my mother and I would go to a neighboring town during bloom time to visit Mr. Grey--an Iris expert who grew and sold hundreds of varieties in straight rows in his suburban yard. We would choose one or two to try in my mother's garden. I still have a yellowed and much cherished typewritten sheet that I follow from Mr. Grey explaining his best practices for dividing, cleaning and planting the tubers. I learned from Mr. Grey that the easiest way to keep track of when to divide iris is to do so every presidential election year.

Yesterday was a glorious, perfect day. Off I went to Upper Montclair to the Presby Memorial Iris Gardens.

One of the long Iris borders at Presby and the crowd of admirers

Van Gogh's Iris, 1889 (Getty Museum)

Iris at Presby Iris Gardens 2009

It's close by--less than 30 minutes away, yet I'd never been at bloom time before. Consistent here, Iris start on May 15. Of the 3000 varieties in the garden dating back to the 1500's, here are a few of my favorites.

Thornbird (1988)

Auntie Em (2007)

Quaker Lady (1909)

Gracchus (1884)

Monday, May 18, 2009

The Fence from 'Trash or Treasure?'

It's almost finished--glad it didn't get damaged on its trip to and from the dump! Here's the fence. It needs paint and the posts need to be trimmed and capped. A simple loop will keep the gate closed.

Friday, May 15, 2009

Books

I love books. Since I first learned how, I have been a voracious reader.

For me, books have been gateways to the larger world. They have been a source of inspiration, information and escape. I like them as objects as well. I am always fascinated by the mystery between the covers, the tactile discovery of turning a page to see what's next. I have spent hours of my life in libraries and everywhere I've ever lived, both here and abroad, I've had a library card.

I am no longer an indiscriminate book buyer. At several points in my life I had more books than anything else. I am fortunate to have The Chatham Bookseller, a great used bookstore , in the next town over that has three shelves of books on gardens and landscape design and many more on interiors, graphic design, fine art and just about any other subject I might want to explore. With their greatly reduced prices penciled in on the flyleaf, I've bought more than a few books here.

My design library isn't big since I don't have the room for the hundreds of books I would have if I did. It is carefully edited and often culled when new additions need to find a home on the overstuffed shelves. Some of my favorites are out of print, some are new, some are eye candy coffee table books, some are serious reference books. I'm going to share some of my favorites over the next few weeks.

Wednesday, May 6, 2009

A Bouquet of Garden Blogs

There are so many garden blogs that it boggles the mind. In my little town, there are three garden blog writers that I know about + Miss R which isn't really about gardening. Sometimes it seems as if there's as many garden blogs as there are gardeners. How do you find a garden blog you want to follow or a writer you'd like to read?


This past winter, when I was exploring Web 2.0 with a vengeance, I met Stuart Robinson (@bussogardener) via Twitter. He was always winding up his day as I was starting mine--he's in Australia--and we had some very lively exchanges.

Stuart is the creator of Blotanical which houses and showcases garden blogs from around the world. He graciously invited Miss R to join--and I did. Spend some time there and you won't believe the diversity of ideas, opinions, advice and gardens you'll find. Thanks, Stuart.

Tuesday, May 5, 2009

Why not Wisteria?

As beautiful and romantic as it is...


Here's why I never recommend it, plain and simple.

Wisteria escaped from a garden climbing a very large Picea abies on my block

There are wisteria vines choking out, shading foliage and pulling down garden structures in more places in New Jersey than I care to relate.

Thursday, March 26, 2009

Inspiration and Influence - Garden Visits

An old gate at Greenwood Gardens, Short Hills, NJ on its first Open Days day several years ago.
The gate is no longer there.

Today it's grey and rainy. I'm dreaming of gardens. Yesterday, my 2009 edition of the Garden Conservancy's Open Days Directory came in the mail. Its arrival made me think about how much I have been inspired by seeing gardens. Not only do I visit on Open Days, but the APLD annual design conference also incorporates amazing garden visits. There are some random photos of gardens which I've visited over the years included here. I appologize if some aren't credited to their sources and owners as I rarely write down what I'm photographing as I go along.

The Grotto under the pool at the White Garden in Lewisboro NY, designed by Patrick Chasse

Observing someone else's point of view, details, and planting styles have had a profound effect on my growth as a landscape designer.Over the years I've visited gardens large and small, good and not so good in many countries. All have had some type of impact on my design aesthetic--either as something to aspire to or something to avoid.

Michael Trapp's Garden in Connecticut

When I was first starting out, I focused on all of the amazing plants that I didn't know and dutifully wrote them all down. Now I walk with camera and sketchbook in hand--taking pictures and drawing small details as they strike me. Mostly I snap--sketching takes me too much time!

Robert Irwin's Garden at the Getty Center, Malibu, California

I actually try not to analyze it too much when I'm there--I try to experience the gardens while I'm in them. Sometimes I'll see something that I don't like and that's just as galvanizing as what I do.

Shape and texture on the California coast near Santa Barbara

Wednesday, March 11, 2009

Showhouse Season V, Issue 4, The State of Things

There was a big pow-wow between all of the landscape designers, contractors, and showhouse committee members today. I made some short videos of the garden space to share here. I have to make some design changes to create appropriate transitions from my space to the two adjacent ones...they aren't making the changes...I am. I try to be a team player. Enjoy my bad videography.

Notice the portapotty, cherry picker and gravel that have been stored in the space. Hmmmm. Maybe I'll re-name it the Johnny on the Spot garden!



The view out shows the new poolhouse and greenhouse which are still under construction. Major money is being spent to make sure it all looks as if it's always been there. I'll get some better images later.



This last one is really short and a bit mysterious because I could discuss the issues and film at the same time! We were trying to figure out how to make the new transitions work.

Wednesday, March 4, 2009

Spring's Slow March

No pun intended in the title although after another dose of winter weather this week, those of us on the eastern seaboard might believe it.

Photo by Johann Dreo,via Wikipedia Commons

The coming of this spring's season seems to be interminable. For a landscape designer in a four season climate, the approach of the 'season' is always a crazy mix of anticipation, relief and angst. This year, there is more of each since the economic climate chilled at the same time our traditional outdoor project work season was winding down so there's no real gauge of what might or might not happen.

Just how different will this coming season be? In many ways, winter has been typical. Here and throughout much of the country, it has been a slower time, spent on design and planning, participation in workshops and seminars, and taking a much needed break. It has also been a time to wonder, just how will my design practice be affected by the current 'no spend' consumer climate?

Like each spring before now, I have decided to embrace whatever happens. I will work as hard as I normally do getting ready for the busy, busy, busy time. I will continue to try to improve my client realtions and give them an exceptional experience with their projects. They are the core of my business. That might take a little bit longer, but thankfully, the clock springs ahead a month earlier than it has in the past so I have more daylight to burn. On Sunday I'll have more hours in each day as Spring finally ends its slow march and arrives just as it should.

Saturday, February 7, 2009

Towards the Light

Walt Disney Concert Hall, Los Angeles, CA designed by Frank Gehry

Several years ago, in Los Angeles, I visited Frank Gehry's Disney Concert hall. During that visit I was stopped in my tracks by a bit of light that had reflected from one side of the building to another. There were no plants, it wasn't a garden, but the light created magic and a destination of its own. I've often thought about that image and its light in an abstract way knowing at some point I would want to explore its possibilities.

In school--we go to the dark side--shade. We're taught about shade, how to deal with shade, how to create shade, the varying types of shade, and the patterns made by shade. We're taught to make shade studies but we're not taught about light unless it is about how much sun a plant or garden has or needs. We learn about the angle of the sun in winter vs. summer, but not how to harness that light as design element. We consider how to light a garden in the evening hours yet not how to manipulate the light it gets naturally during the day.

Yesterday, as is my habit, I was out walking in the early morning. When I turned around to head home I was stopped short by the most amazing fuchsia morning sky backlighting a stand of trees. It has got me thinking again about the power of natural light in the landscape and how we as designers miss incredible opportunities to create magic by not manipulating natural light.

Tuesday, January 27, 2009

Gardens & Couture..Kindred Spirits?

This week's couture shows in Paris reminded me how much I love fashion. Specifically, I have long been an admirer of the creative tour de force that is the Paris haute couture. Experimental, hand made by highly skilled artisans, and fitted specifically to each client, these one-off creations are not dissimilar to fine garden design.

Like custom-made Parisian garments, a well designed landscape is created specifically for one client, space and time. A haute couture garment is made from the best materials available in the world and is as beautiful on the inside as it is on the outside. With the same underlying philosophy, a well designed and constructed garden depends on what the onlooker can't see -thoughtful use of the highest quality plants and materials, healthy soil, and skilled planting and hand crafted construction.

Each made-to-order couture garment is fitted specifically to its owner just as a custom garden is designed in response to specific site conditions and is unique to that piece of land and its owner.

With the right client, as with those who buy couture, a designed garden is celebrated for its intrinsic seasonal beauty, creative use of materials and artisinal craftsmanship.

Since it is the middle of winter and the couture has just shown in Paris, these images celebrate the couture's creativity and craftsmanship--hopefully couture designers' unyielding dedication to quality and craftsmanship will inspire new gardens for spring!

Saturday, January 24, 2009

Inspiration and Influence -TV & Technicolor

A few weeks ago in a post titled Inspiration and Experience I wrote about my viewpoint as a designer as a unique culmination of life's experiences. Writing that post has made me--probably temporarily--more acutely aware of what I look for my daily inspirational 'feed'. In other words, I have become more self-aware of what I look at, talk about, read, experience and absorb for future reference. I know this will fade into the background again, but it's winter, I'm inside a lot and have the time to reflect.

I am first and foremost a designer. My current design discipline is landscape design. I have in the past worked in others. I didn't come to landscape design from a desire to create gardens, but from a desire to design three dimensional living spaces that compelled human interaction and enhanced and respected the environment. Sure, I've been a lifelong gardener and find incredible beauty in plants, but that has never been the departure point for my inspiration.

So, what do I look and where do I go to fuel the creative fire? It's a daily feast of input that swings wildly between subjects--some of which I'm going to explore here and in future posts. I try not to question the process too much and always try and stay open and observant. I am a voracious reader and looker. Even a few seconds spent looking is absorbed in some way. Years ago as a fashion jewelry designer, I found visual inspiration while driving to my studio in Brooklyn in a pattern of diagonal wires on a construction site--those patterns became the basis of a series of pieces while the time spent looking at the original wires was as fast as I was driving by them.

Some of the constant influences have been images from television and old movies - black and white and technicolor. Not just those with fabulous fantasy landscape images in them-like the Wizard of Oz, but others that jog my visual sensibility in some way. Just yesterday I watched an old (and awful) Doris Day move - 'Move Over Darling'. In one scene Day was wearing an acid green ensemble and running up the stairs against a grey background. Add that to Michelle Obama's choice of an acid green Isabel Toledo outfit for the inaugural, and the choice of Hakonechloa macra 'Aureola' as the 2009 Perennial Plant of the year and pop goes the inspiration weasel.


Wow! Would I like to use that combo in a garden. In the movies it's retro, in a garden- modern, provocative and fresh.

Monday, January 12, 2009

Land Speak

At a client's holiday party at their farm, I met one of their neighbors. She asked me how I knew the host and hostess. When I told her that I was their landscape designer, she complemented me by saying how much she liked what I had done and asked if I would come and look at her place. This type of thing happens at a parties.

In further conversation, the subject came up about where I lived and worked. When I told her, she looked surprised and asked, "That's so suburban, how did you know what to do with this property?" My answer was, "I love the land. I listen to what my clients say, but I also listen to the land, it has stories to tell." She smiled and said, "I do too, I love my land. When I lived in the town next to yours for 20 years or so, I hated it, I couldn't see the sky." We made a date to meet in February.

Here are some photos of the ongoing project from the story above.



Friday, January 9, 2009

Some Days You Just Need to Bloom

It's January, I'm getting tired of the cold, the grey, and the dark. I was having a rotten day when I stopped a client's garden last summer. This combination of clematis and roses we had planted the summer before made my day better then, and its picture makes my day better now. Enjoy.


Tuesday, January 6, 2009

Showhouse Season V, Issue 2. The Design Process

All of the landscape design invitees for the 2009 showhouse were provided with a master plan which illustrated the homeowner's and the consulting landscape architect's very formal vision for the property.

There would be an addition to the east side of house to update the antiquated kitchen, create additional living space and add a garage. A new pool and pool house would also be added as well as a sheep barn, greenhouse and an apiary at the southwest corner. We were allowed to re-define the spaces if we chose for future approval. Below is my annotated copy of a later version of part of the master plan.


Some of the project constraints other than the two usual suspects--time and money--were and still are: the rampant deer who eat their way through the unfenced property and that some of the original garden features were to remain or be restored. I added to those caveats my own personal desire to source as much as possible from local nurseries and resources and to limit the amount of work that had to be done by machine for both logistical and sustainable reasons. Once those benchmarks were established, I decided to pursue several ideas within final conceptual design that was submitted to and ultimately accepted by the selection committee. Those ideas, as well as the conceptual plan are below.

Design Idea #1--Go with the Flow. I had the advantage of having done a previous project originally as a showhouse garden for the same owner which was kept as permanently. I knew she loved formality and the master plan clearly showed her input. If there were already 2 votes cast in the formal direction--why rock the boat, formal it would be.

Design Idea #2--Define the space the way I wanted it, excluding some of the peripheral areas. This would tighten up my ability to maximize views out of the house and would enable me to use strong axial relationships and bold geometric forms.

Design Idea #3--Design a space that would draw people into it and cause them to linger as well as creating elegant transitions to and from the adjacent spaces. One of my underlying garden philosophies has always been to make outdoor spaces for living as opposed to being just for viewing.

Design Idea #4--Limit the materials and utilize a very narrow deer resistant plant palette to simplify further. With simplicity the overarching traditional formality will look clean and modern rather than traditional and overworked.

Design Idea #5--Think about adding a water feature. People love water, the homeowner loves water, water makes people linger supporting Design Idea #3.

Design Idea #6--Try to use appropriate native plants without being a slave to that concept. Turf would be allowed since it is a large part of the master plan anyway. Offset the use of turf through of locally sourced pea gravel paths equaling (or close) the same square footage. That boat again.

Design Idea #7--Make the plan as easy as possible to implement since the participating contractors would be partially donating their time. April, the installation month, is the 2nd busiest month of the year.

Although it's a bit difficult to see. Here's the conceptual plan. The koi pond that is noted is a element from the master plan that is to be restored and not part of my garden space. Enlarge it to see the notes.

Sunday, January 4, 2009

Showhouse Season V

This is the start of my 5th designer showhouse season. I am drawn to the charitable nature of these month long benefits, which often raise several million dollars for their charities. This one, Stately Homes by the Sea, benefits the VNA of Central NJ.

For me, participation has not been an annual occurrence, although I have done a showhouse garden each year for the last three years. I accept all invitations to view the property, but unless there's a space that immediately inspires me in some way, I don't accept. These gardens are an opportunity for me to experiment creatively without the constraints of a typical design brief. They are also an excellent opportunity for me to showcase ideas for potential clients in a realistic setting.

Last summer I was invited to preview the house and property that would be transformed by the following May. Typically these properties are vacant and in need of a face lift. As seen in the video below--one of several posted on YouTube, this particular property, 'Sheep's Run' in Rumson, NJ was in the throws of a complete overhaul.



Each designer was invited to compete for up to two spaces by submitting a a conceptual design and written proposal for each. I only wanted one--it's at the very start of the video with white pick-up truck parked in it. It's adjacent to a sun porch, a library and a very large terrace. It had beautiful views out from the house as well as being a somewhat independent space from the rest of the very formal master plan. I was awarded the space I wanted.

Here's some shots of the space as it was last September as well as a beautiful detail of one of the window grills. Since this will be an ongoing serial--this is also the end of the first installment. How's that for a cliffhanger?

Above: A view through the space to the gutted sun porch

Above: A view through the space from the sun porch showing the library windows

Above: A view through the space showing the oak that's on it's central axis in the distance
Below: One of the many bird themed details found throughout the property both inside & out

Monday, December 22, 2008

My Last Minute List--Any Gardener Would Want These

My father loved Christmas, he believed in Virginia's Santa. When I was small he created magical surprises and taught me to find joy in the holiday. Every year he would wait until Christmas Eve to do his shopping and decorate the tree.

In that spirit, I'm offering my last minute list to Santa's gardening elves. To keep the surprise tradition, you'll have to go here to find out where to get 1 through 9, you already have No. 10.

I know I've been urging everyone shop locally, but these things aren't available locally--I checked. My list isn't a donate to your favorite charity, altruistic peace on earth kind of list--we all want that. It's simply things--small (a packet of seeds) and generous (a rain barrel) in the spirit of holiday wish lists. In the spirit of American consumerism, spend some money, let's get that economy moving!


1. An organic soil test
2. Compost tea fermenting kit
3. Certified organic seeds
4. Tools from Red Pig forge
5. Certified organic fertilizer
6. Recycled pimped out whiskey rain barrel
7. Rescued paper notebook (I'm giving some of these this year)
8. Haws watering can (I've wanted a big one for years)
9. A salvaged iron gate
10. Garden help for one day from each of you!

Happy & Safe Holidays to all. Enjoy you and yours...they're the greatest gift of all.

Wednesday, December 17, 2008

A Short Story...very short.

Last night is snowed a bit. This morning it misted. Before 6, it was warm when I went out to walk the dog. N0w, at almost 9, it's colder. Here's what happened.

Lacecap on Ice