Yak, Yak, Yak--My Big Mouth!

Here's a podcast I recorded about my experience as a landscape designer who blogs. The others on the podcast are Rochelle Greayer of Studio G and Chris Heiler of Landscape Leadership. Click here. Listen and enjoy.

Old School Recording Device

By the way...I haven't posted video since that day.

Showhouse Season V, Issue 10, Mud & Mayhem

Here's some photos from today. Furniture and pots arrived. Irrigation and lighting was installed. Today was complicated by too many people in too small a space and downpours.

The plywood & tarps are protecting one of our walks
It's the only access the adjacent garden has. Tomorrow we cut them off

The first container planted--there are 8 in total

Sod, the bird sculpture and a bazillion annuals will arrive tomorrow. After I left at lunchtime I went shopping for something to go on the table. More about that later.

Hussies!

I always know it's really spring when the hussies of spring bloom. Hawking their wares from curbside, stoop, border, and garden these brightly colored plants can't help their garish adornment--they want us to notice them and come hither.


Screaming yellow forsythia and daffodils...fuchsia, shocking pink and cerise azaleas...tulips and hyacinths of every hue...redbuds all call out and strut their stuff

Showhouse Season V, Issue 4.1, The State of Things (con't)

Every designer showhouse I've been involved with suffers from the same malady--too little interdisciplinary/committee/designer cross communication. Yesterday, my entire day was dedicated to solving issues with my garden space that could have been a non-issue had all parties worked with each other from the onset. Let me explain...

As you can see from the site map in Issue 2 of this series, my garden space is tucked away between two adjacent exterior spaces and two corners of the building. I used the consulting landscape architect's site plan to create my original concept. I also checked the boundaries of the garden with his office as well as the appropriate committee members. No one told me that the boundaries of the large garden to the south and the large terrace to the east had changed from what was on the site plan.

Confused? So was I. Those perimeter boundaries were modified on two sides without my knowledge and last week when I videotaped the space it became apparent that what I had designed would not be able to be shoehorned into what was actually the space. ARGHH.

I try to be a team player when it comes to these things...but I am the only one being asked to completely revise my plan. It was obvious to me that the original design would have to be modified to work with the space's new proportions. I didn't radically alter the concept, but everything had to be on a different scale and slightly modified. The double axis would now dead end into the south garden's hedge so that definitely had to go. Paths had to be made narrower, garden areas smaller. I was able to make all but one of the spatial transitions work and I can't really spend any more time on the revision (read: I have paying work to do) so it will have to be resolved on site.

So here's the revised design (click on it to enlarge). It doesn't appear to be changed that much but everything is scaled differently. The good news is I'm going to use a fabulous Steven Snyder bird sculpture as a focal point. More on that next time...

Showhouse Season V, Issue 4, The State of Things

There was a big pow-wow between all of the landscape designers, contractors, and showhouse committee members today. I made some short videos of the garden space to share here. I have to make some design changes to create appropriate transitions from my space to the two adjacent ones...they aren't making the changes...I am. I try to be a team player. Enjoy my bad videography.

Notice the portapotty, cherry picker and gravel that have been stored in the space. Hmmmm. Maybe I'll re-name it the Johnny on the Spot garden!



The view out shows the new poolhouse and greenhouse which are still under construction. Major money is being spent to make sure it all looks as if it's always been there. I'll get some better images later.



This last one is really short and a bit mysterious because I could discuss the issues and film at the same time! We were trying to figure out how to make the new transitions work.

Showhouse Season V, Issue 3, Early Decisions

As I said in Issue 2, this is going to be a formal garden. The garden's official name for the showhouse journal and website is 'A Formal Invitation'.

The 'invitations' are implied the the garden's design. Its layout allows views from the adjoining rooms--Invitation No. 1. Entrances to the garden from three other areas of the property--Invitation No. 2. A table for rest and relaxation or a place to enjoy a bottle of wine--Invitation No. 3. A sculpture or fountain as a focal point/feature of interest--Invitation No. 4. Beautiful containers filled with very detailed plantings--Invitation No. 5.

The choice of which style of containers (shown in burgundy on the plan to the left) to use is important in this garden because they will set the tone on the second layer of design ideas. If I choose to use black Medici urns, the garden will not have the modern welcoming feeling that I want it to have. For me, too much formality feels pretentious, rigid and stogy. Mixing it up will give this outdoor space a sense of being in the present rather than the past. I have a fondness for terra cotta planters. They're timeless, their matte finish contrasts and completments many type of foliage and flowers.

For a few years I have been using and recommending Seibert & Rice terra cotta. They are worth every penny. The quality is flawless. Seibert & Rice are local importers who have a keen eye for great design. Depending on the style, these pots can lend a formal or an informal feeling to the garden. Although I haven't made a final decision yet and I've previously used all of the ones pictured below. They could work again.

The Hartford Pot by Guy Wolff--a great simple pot

The Olive Oil Urn--I've filled this urn with Cannas--Wow!

Lemon Flower Box--Great for herbs near a kitchen door

All photos are used with the permission of Seibert & Rice.

Showhouse Season V, Issue 2. The Design Process

All of the landscape design invitees for the 2009 showhouse were provided with a master plan which illustrated the homeowner's and the consulting landscape architect's very formal vision for the property.

There would be an addition to the east side of house to update the antiquated kitchen, create additional living space and add a garage. A new pool and pool house would also be added as well as a sheep barn, greenhouse and an apiary at the southwest corner. We were allowed to re-define the spaces if we chose for future approval. Below is my annotated copy of a later version of part of the master plan.


Some of the project constraints other than the two usual suspects--time and money--were and still are: the rampant deer who eat their way through the unfenced property and that some of the original garden features were to remain or be restored. I added to those caveats my own personal desire to source as much as possible from local nurseries and resources and to limit the amount of work that had to be done by machine for both logistical and sustainable reasons. Once those benchmarks were established, I decided to pursue several ideas within final conceptual design that was submitted to and ultimately accepted by the selection committee. Those ideas, as well as the conceptual plan are below.

Design Idea #1--Go with the Flow. I had the advantage of having done a previous project originally as a showhouse garden for the same owner which was kept as permanently. I knew she loved formality and the master plan clearly showed her input. If there were already 2 votes cast in the formal direction--why rock the boat, formal it would be.

Design Idea #2--Define the space the way I wanted it, excluding some of the peripheral areas. This would tighten up my ability to maximize views out of the house and would enable me to use strong axial relationships and bold geometric forms.

Design Idea #3--Design a space that would draw people into it and cause them to linger as well as creating elegant transitions to and from the adjacent spaces. One of my underlying garden philosophies has always been to make outdoor spaces for living as opposed to being just for viewing.

Design Idea #4--Limit the materials and utilize a very narrow deer resistant plant palette to simplify further. With simplicity the overarching traditional formality will look clean and modern rather than traditional and overworked.

Design Idea #5--Think about adding a water feature. People love water, the homeowner loves water, water makes people linger supporting Design Idea #3.

Design Idea #6--Try to use appropriate native plants without being a slave to that concept. Turf would be allowed since it is a large part of the master plan anyway. Offset the use of turf through of locally sourced pea gravel paths equaling (or close) the same square footage. That boat again.

Design Idea #7--Make the plan as easy as possible to implement since the participating contractors would be partially donating their time. April, the installation month, is the 2nd busiest month of the year.

Although it's a bit difficult to see. Here's the conceptual plan. The koi pond that is noted is a element from the master plan that is to be restored and not part of my garden space. Enlarge it to see the notes.

Design with Discipline, Plant with Abandon

I have always had a fondness for the clean lines of formalism. To my eye its geo-organization looks contemporary and fresh. I know there are a many designers who would rather die than design something with a formally organized space--they think it's rigid, unnatural and outdated. Worst of all, they think it's easy--just make a geometric shape, fill it with some flowers, and presto, it's a formal garden. That way of thinking gives these highly considered garden spaces a bad rap.

Clean lines and unexpected formalism out side of the education building
at the New York Botanical Garden

Formal gardens can be current, relevant and engaging. There are two schools of thought on traditional formality. One is an adherence to a classical garden style updated with a scale suitable to today's architecture and lower maitenance requirements and the other juxtaposes the reverse formalism of today's naturalistic planting style with formal structure to create something altogether different. Parterres can be filled with blowzy perennials which soften the hard lines of these gardens.

The second idea will be demonstrated in the design plan to the left. This garden will be installed as part of the VNA showhouse at Sheep's Run in Rumson, NJ in spring 2009, and has been developed as part of a much larger formal estate plan. This small niche garden will be viewed from a screen porch on the short side, a library and an expansive terrace on the long side. The other two sides open to adjacent the landscape. The axial pathways, circular resting places and focal points are extremely formal and geometric. The four enclosed evergreen parterres will be planted with very loosely structured perennials or annuals.

This type of garden doesn't work for every site, nor does it work for every garden owner. Depending on the plants used, formal gardens can be sustainable. For example, I have used low growing native evergreen grasses and other plants with a compact growth habits as a substitute for the ubiquitous clipped hedging plant. With careful planning, the maintenance of the geometric structure becomes less cumbersome, the garden's need for water can be significantly lowered, and native plants can be incorporated.

Following the same design idea, below is a different plan for an entry to a classic residence in Short Hills, NJ. The owner wanted something that would work with the traditional lines of the home yet echo her inclination to blend contemporary ideas within the traditional framework. The garden also had to be appropriate for a very conservative neighborhood.

The resulting garden (sorry no good pix yet) is deceptively simple. Rectilinear boxwood groups are staggered to provide planting pockets for naturalistic perennials. These informal cottage style perennials are planted in complete symmetry on either side of the entrance underscoring the geometry of the design. The Pennstemon digitalis 'Husker Red', Lirope muscari 'Pee dee Ingot', Veronica spicata 'Sunny Border Blue' and Alchemilla mollis are usually associated with more informal gardens and they worked to meld the two styles together.

This isn't to say that a more controlled formal style isn't also clean and modern. The photo to the right shows an extremely classical entry. The architecture and details are remarkably similar to the residence in the project above and both gardens have different takes on formality. The photo was graciously provided by Chris Heiler at Fountainhead Gardens in Michigan.