Showing posts with label green. Show all posts
Showing posts with label green. Show all posts

Thursday, April 30, 2009

More than Me


Ok. Let me start off by saying that what I'm about to say is going to really going to make some people angry. I suspect it will be those with a holier than thou sensibility. I also suspect that it will be those with really loud bullying voices. If not then...good...maybe I'm not battling windmills.

Even with my activist background as a young adult, several years ago I became more 'enlightened'. I read Cradle to Cradle, visited and wrote about my reaction to sustainable gardens in Southern California and of course I saw An Inconvenient Truth. I have always turned out lights when I leave the room, have recycled and reused (including a long history dumpster diving) and I plant trees and other oxygenating plants as part of how I make my living. So far so good, right?

The trouble, for me, became when I started to be involved with social media. All this talk and posturing about being green, being sustainable, helping the planet. Don't get me wrong, that's a good thing--at least the conversation is happening. What get's me though is that it often all seems so selfish. I'm green, hire me! I can help you save the planet, hire me! I'm an expert in sustainability, hire me! I write a blog about sustainability, hire me! What!!! You still buy XXX's product--shame on you, I don't, I'm green, hire me! ME, ME, ME.

What about helping each other just because we all share the same planet? Does it always have to be about me and how I can profit by this or 'make good by doing good'...why not just because it's the right thing to do?

Saturday, January 24, 2009

Inspiration and Influence -TV & Technicolor

A few weeks ago in a post titled Inspiration and Experience I wrote about my viewpoint as a designer as a unique culmination of life's experiences. Writing that post has made me--probably temporarily--more acutely aware of what I look for my daily inspirational 'feed'. In other words, I have become more self-aware of what I look at, talk about, read, experience and absorb for future reference. I know this will fade into the background again, but it's winter, I'm inside a lot and have the time to reflect.

I am first and foremost a designer. My current design discipline is landscape design. I have in the past worked in others. I didn't come to landscape design from a desire to create gardens, but from a desire to design three dimensional living spaces that compelled human interaction and enhanced and respected the environment. Sure, I've been a lifelong gardener and find incredible beauty in plants, but that has never been the departure point for my inspiration.

So, what do I look and where do I go to fuel the creative fire? It's a daily feast of input that swings wildly between subjects--some of which I'm going to explore here and in future posts. I try not to question the process too much and always try and stay open and observant. I am a voracious reader and looker. Even a few seconds spent looking is absorbed in some way. Years ago as a fashion jewelry designer, I found visual inspiration while driving to my studio in Brooklyn in a pattern of diagonal wires on a construction site--those patterns became the basis of a series of pieces while the time spent looking at the original wires was as fast as I was driving by them.

Some of the constant influences have been images from television and old movies - black and white and technicolor. Not just those with fabulous fantasy landscape images in them-like the Wizard of Oz, but others that jog my visual sensibility in some way. Just yesterday I watched an old (and awful) Doris Day move - 'Move Over Darling'. In one scene Day was wearing an acid green ensemble and running up the stairs against a grey background. Add that to Michelle Obama's choice of an acid green Isabel Toledo outfit for the inaugural, and the choice of Hakonechloa macra 'Aureola' as the 2009 Perennial Plant of the year and pop goes the inspiration weasel.


Wow! Would I like to use that combo in a garden. In the movies it's retro, in a garden- modern, provocative and fresh.

Thursday, April 24, 2008

#24--Last day to finish

We started first and are finishing last. For the past week there's been little but this crazy sprint to the end.

The almost completed rockery

There have been soooo many issues this week that it's hard to even recount them. The most major was the pond builder hurt his back the day before his installation. Our choice was to fill it in or build it ourselves--which I'd never done before. We built it ourselves yesterday and will finish today. I had to go to a pond supplier last night and get some additional supplies--there's a world I know little about!

Others include a tabletop that doesn't fit the base, a light pulled out of it's location for no apparent reason, wires which weren't buried by the lighting installation crew, etc. etc. etc. We'll finish the pool today, clean up and return for special events. It will be good to get back to regular work.

Here's the good news--What makes the rockery 'GREEN'...

Use of recycled materials:

  • All of the boulders were on site and recycled from the original rock garden.
  • Two architectural elements from Fro Heim’s legendary Japanese garden were found in the rock garden and recycled into the patio.
  • Fill for the garden was brought from a local site where a swimming pool was being dug, eliminating the need for that fill to be dumped.
  • All organic waste material from garden construction was taken to a local commercial organic waste recyclingcenter.
  • Pea gravel is used as mulch and does not need to be renewed annually. It also helps to keep the plant roots cooler in the hot sun.
  • Stone dust, a quarry byproduct has been used as pathway material.
  • Stone used to build the reflecting pool was reclaimed from a demolished bridge in Newark.

Reduction in energy needs of a traditional garden:

  • All materials have been sourced locally reducing the need to ship them over long distances decreasing the use of fossil fuels necessary to secure materials.
  • 90% of the plants in the garden are New Jersey grown, the remaining 10% were grown regionally.
  • Plants have been chosen that will thrive in the hot sun with low water requirements.
  • A solar panel provides energy to illuminate the garden at night powering 30 LED fixtures.

Environmentally sensitive construction techniques:

  • When building the garden, the area around the Rockery was left undisturbed. Areas of disturbance were limited to a narrow perimeter around the site.
  • Use of machinery was kept to a minimum and machines were not left running when not in use.



Monday, February 25, 2008

#3--Why Green? An Opinionated Viewpoint

This time last year I was getting ready to attend the 2007 Association of Professional Landscape Designers annual conference. Held in Southern California, the 10 day visit began a transformation about the way I think about landscape design--although it has been difficult to put that burgeoning philosophy into practice all of the time.

Even though in my twenties I had lived for several years in Los Angeles, coming from my Z6 mid-Atlantic base, the conference's garden visits were a trip to an exuberant, exotic locale. Gardens and landscapes in the subtropical climate that is 21
st century Southern California have a completely different point of view than those ‘back east’. The ‘New American Garden’ aside, east coast gardening is rooted in the English traditions of lawn and border. Most of the gardens in Los Angeles challenged my idea of what a garden is and can be.
From what I saw, designers in California are taking a leadership position in environmental restoration and preservation. Sustainability was the focus of the conference and many of the gardens we visited incorporated that concept by utilizing recycled materials, native plants and xeriscaping. The idea of sustainable landscape practices through the use of creative design solutions was evident. The gardens presented a paradigm of design trends that respond to California’s climate of long dry summers and mild wet winters, outdoor lifestyle and a clear commitment to the restoration of indigenous plant communities.

I was initially shocked by what I saw through eyes used to lush summer landscapes green with irrigation—whether natural or man made. Early in the conference, I realized I couldn’t identify but a handful of plants, many were native to California or other Mediterranean climates and not suited to the climatic swings in other areas of the country. This lack of plant knowledge allowed me to focus on the big picture rather than the plant groupings. At first I thought, where is the GREEN, where is the lush, where is something familiar? From my perspective, agaves, echiverias, and aeoniums exist in the greenhouse or in pots on a patio—not in a front yard, yet there they were and they looked right. They looked as if they belonged. It was my viewpoint as a designer that didn’t belong.

After several days of garden visits, we went to a beautiful and imaginative garden that looked, with some exceptions made for plants, as if it had been transplanted from the East coast. This garden was heavily irrigated, lush and green. It was not sustainable, it didn’t have that sense of place that many of the other gardens had. When I thought about many of the other more ‘alien’ gardens I had seen, this verdant Anglo-Mediterranean space seemed out of touch with the California design sensibility I had been seeing elsewhere. I realized I was beginning to see the point.

The California designers’ mindset of celebrating their geography, climate and native plant communities hasn’t really take hold here. New Jersey, where I practice, despite its moniker as ‘The Garden State’ is the most densely populated state with a long history of industrial and environmental transgressions. Like many other areas in the country, we are just beginning to safeguard open space, protect what used to be old growth forest and save and restore native wetlands and riparian buffers.

Garden visits can challenge and delight. They can also expand the possibilities of design to the open minded viewer. After the initial shock, my visits in California did exactly that. I came away from the conference wondering how I could translate and put to use what I had seen and heard. There were some impractical ideas—I can’t imagine listing plants slated for removal on Craig’s List and having strangers come to any of my very private client’s properties as one left coast speaker suggested—they’d be appalled at the suggestion. It would be next to impossible to convince my conservative and traditional clientel to have a wall built of repurposed concrete—what was cheerfully nicknamed ‘urbanite’ in California. In the east, we have an abundance of beautiful and relatively inexpensive local stone. I can also promote the use of recycled brick, which locally is in abundance and costs about one third of the cost of new brick.

I can investigate and use more native and locally grown plants that will require less water and use fewer fossil fuels needed for long distance shipping. I can make sure stormwater is kept on the property and used as passive irrigation. I can make sure that the organic materials we remove from a site go to the proper recyclers to be composted for future use. I can also make sure that inorganic debris is sorted and recycled instead of dumped.

I also realized that in other ways, I have already started. I try as often as possible to reduce areas of turf grass in a design, just on the basis of water useage, chemical fertilization practices and air and noise pollution created by the mow/blow/go crews. We also offer organic garden maintenance without the use of power tools to our clients, promoting it as Estate Gardening and charge accordingly for it. My show house garden is an opportunity to demonstrate these ideas to a large group of people looking for inspiration.

So I figure if I design with sensitivity to the genus loci and keep sustainable practices in mind, the gardens I build will be to their time and place, what many of the new California gardens we saw are to theirs.